Shot in 6K 16:9 sensor mode, 2K ProRes in portrait orientation, as this was specifically for an Instagram Story. I used my Sigma 18-35mm lens, mostly at the 35mm end. I monitored with the standard RWG-> Rec709 transform, but used the Panavision DXL LUT in Premiere and that's all the color grading I did other than slightly warming up the other shots to match the second. The first two shots are lit with just a single desk lamp and in the first picture I used my AAA pocket flashlight to shine on the foreground material to give it some bokeh. The other two shots were lit with a single Kino Select 30.
I recorded to ProRes as I haven't tested out the Komodo r3d workflow on my laptop and didn't have the time to lose if there were issues (under 3 hours from deciding to shoot the promo with no shot list to delivering the files - one 15 second cut and one 30 second cut). Fortunately it was only 4 shots and the client didn't want audio, as they wanted to add their own music. I'm used to shooting for exactly what I want (rather than "change it in post") so not having the added flexibility of r3d wasn't a huge deal for me.