While the A-Cam was handheld and operated by Director of Photography Chris Saul, my B-Cam was mounted on a DJI Ronin the entire time. It was quite the workout with the additional weight of the gimbal and I did a lot of running (forwards and backwards) with the unit. At times I'd use an EZ-Rig, but since it can add a lot of bounce, I just used my arms when running.
The spot was shot on RED Dragons with Zeiss Super Speed lenses in 6K HD.
|In the rain. Photo by @emmahollyjones|
|Director Nick Frew looks over my shoulder as I get a sweet sunset shot.|
|Director of Photography/A-Cam Operator Chris Saul gives me a break from operating the Ronin rig.|