Call Me Kat plates

Worked a couple jobs recently for Call Me Kat. One was some driving plates at night. Single camera (RED Gemini for it's great low light and high ISO abilities) using the Sigma 14mm on a Ronin 2. Pretty much the go-to setup for our driving shots. The other shoots was a bit different, as they wanted some ~180° plates (from a tripod). For this we used 3 RED Komodos, with the outer cameras positioned 45° off of the center camera. Again, we utilized the Sigma 14mm for its wide field of view. This gave us good overlap between the cameras while also seeing a lot of real estate.

To trigger all three cameras at the same time, I utilized the Tilta Nucleus, with each motor (1 per camera with a run/stop cable) set to the same channel so all three would trigger off of a single hand unit. Normally I would also mount the motor to be functional on the camera (controlling the iris so all three would match), but due to not having a prep and how the cameras had to be mounted, we had to remove the iris rods to make the cameras fit on the plate, so the motors couldn't be mounted to control iris or focus. I thought that might be the case beforehand, but wasn't worried since all the cameras were easily accessible and I could set the iris and focus by hand.

I do enjoy doing some of these less common rigs. Like I said, we didn't have a prep but I planned ahead of time to make it work with as few hitches as possible and except for not being able to mount iris rods, everything worked as expected, though there were some paper-thin clearances between cameras! I have a few ideas for next time to make things even more efficient and simple, so hopefully more of these camera array jobs come up!

Setting up for night driving plates.

Triple Komodo array with cameras set to 45° increments.